
Saw the film this evening. Fantastic.
Don't worry. No spoilers here.
Performances. Let's start with the Joker. You know how they said playing the role of the Joker messed with Heath Ledger's mind? I thought that was just some Hollywood silliness. But seeing the movie, I can believe that playing the character he plays could actually fuck with your head. It is an intense, exceptionally dark, but funny and wildly charismatic performance.
Heath steals every scene. The Joker's dialogue is the strongest of any character. His crimes are exceptionally clever, anarchic gags that have layers of meaning and deliver sudden, violent punchlines that make you wince and laugh simultaneously. The Joker is a moving art exhibit -- like a terrorist Banksy. You hate him. And he truly earns your hate by being horrifyingly cruel. But you sit up and grin every time he comes on screen.
There is something essentially human in the Joker: a wicked, destructive, selfish, spontaneous, id-driven lust-for-life that balances Batman's sense of order and discipline. (There is a line by the Joker in the movie that sums up this mutually definitive relationship perfectly and hysterically) However, while the Joker professes to play by no rules, don't believe it: He has daunting creative standards that inform everything he does.
What is so stunning is how Heath somehow gets evil and funny into the Joker seamlessly and at the same time. Nicholson's goofier portrayal lacked the subtlety to pull this off. Heath simply defines the character of the Joker.
Christian Bale is solid. I actually prefer him as Bruce over Batman -- his performance, anyway. Nobody plays trust fund, Ivy Leaguer like Bale. There were a few scenes in the movie when Bale's portrayal of Wayne as a social scenester evoked a touch of Patrick Bateman. Hm, Batman -- Bateman. Neat.
Maggie Gyllenhall. Same downturned expression of Katie, minus the empty-headed perkiness. Richer performance. She fully understands and therefore believes, and therefore sells the dialogue, which Holmes in her Dawson Creekiness could never muster. But that is underselling Maggie. She brings a calm, centered selflessness to the character that is essential to the story. Nolan knew what was required here. And he made the right choice.
Caine and Freeman are Caine and Freeman. Understated and perfect, both.
I've always been a fan of Oldman's chameleon-like ability to sink into his roles. But somehow Gordon is my favorite. Why? I Think of Dracula, Drexyl, Sid Vicious, Jackie (State of Grace). All big characters, played big. But Gordon is the quiet man. Good, moral, brave, but ordinary and middle aged. Sagging and a little sad. He's the guy we could aspire to become, because what he exhibits is attainable.
After Ledger, Aaron Eckhart might have the most demanding role in the film. His character certainly has the biggest arc. I don't want to say too much about his performance lest I give something away. But it's a damn tricky role, and the naturally reasonable, affable Eckhart nearly pulls it off.
OK, no more. The plot is wide and reaching -- even silly, I suppose, if you stop to think about it. But real wars are started on sillier premises. Go see it. Like now. Surrender and be that annoying first wave of fanboys who simply must see it TODAY, and have their laptops all fired up and ready to go so they can blog their impressions to the world (as I have done here!).
And Ledger. Damn. His performance is so good that I promise you won't do what I feared I would do the whole movie -- think about how I'm watching someone who has since died. I never thought it once. (OK, maybe once.) This role was a revelation for me. I never knew how good he was.
And Nolan. After Memento, Batman Begins, The Prestige and The Dark Knight, I have to place him way up there among the best directors today.
PS, Iron Man is also great. Bye.













