Tuesday, July 22, 2008

A Better Beowulf?


I haven't seen the film Beowulf, but I am probably one of a handful of people who enjoyed reading it in college (and, more recently, the Seamus Heaney version.)

A writer I know claims that the movie version "fixes" the original tale, giving it plot structure and cohesion that was lacking in the classic work. Hmm.

Apparently, in this better version of the 8th Century Anglo-Saxon epic (Punched up by Roger Avery, and Neil Gaiman of "Babylon 5"), Beowulf slays Grendel, then must face the wrath of Grendel's mother.

So far, so good. But here's the thing. Grendel's mother? Hottie. Total fuckin' aquatic piece of monster ass. Like an Angelina Jolie, maybe. And she is so pissed about what Beowulf did to her son, she demands Beowulf give her another baby. And she wants him to make it the old fashioned way. Boom-Chicki-Boom.

Hey Beowulf's only a man, right? Cue the sexy Berlin song and flip on the blue lights. Steamy? You betcha. Take my breath away.

Now get the angle on this. For his "duties," Beowulf becomes king. Sweet, right? But as punishment for his moment of sexy weakness, the child that Mama Grendel pops out don't look much like Pops at all.

Papa was a rollin' stone, but junior is a dragon. And he's got a case of the colic.

Now for the tragedy. Beowulf must save his own kingdom from the wrath of dino-boy by slaying the little fella -- his only begotten son. Wow. Almost Biblical, but hotter 'cause it's got Angelina.

Roll credits. The end. There's not a dry eye (or seat) in the house. Thank you, Robert Zemeckis.

Yea, I'm skeptical that a Hollywood development team and some CGI programmers could "fix" one of the seminal poetic works of our language. Or that it even needs fixing. Beowulf was a spoken work, memorized and shared by bards who would embellish and expand upon the story as fit the occasion. There was no structure to the tale because it was a cumulative work created by generations.

Actually, I like to think of Beowulf as a story people kept building upon, until they finally got sick of telling it. Originally, it was probably just a great campfire story to scare the shit out of the kids. "There was this monster, Grendel, who terrorized a Mead Hall -- maybe one that wasn't too far from here. But a hero named Beowulf swam across the sea to save the day. He waited for the Grendel to attack, then bam! There was a great battle, and Beowulf won!

And someone said: Tell us more!

"OK, well. Let's see. The monster had a mother, who was even worse than him. And she lived underwater. And when she found out about Beowulf, she started killing people, too. But Beowulf swam down to her lair to get her. There was a great battle, and Beowulf won! The end.

And someone said: Is that all?

"Um, no, no. Because, there was this dragon. A big, fire-breathing serpent who terrorized the town and was way, way worse than those other monsters. And Beowulf fought it. There was a great battle, and Beowulf won.

And someone said: What else....?

"No, no, no. Wait, I'm not done. You see, because WHILE Beowulf was in the act of delivering the death blow, he was also wounded by the dragon. And he died. And they burned his body in a pyre and sent him out to sea to make sure he was dead. And he was. Dead.

And someone said: Is that all?

"Yes! Go to sleep!"

4 comments:

MO'SH said...

I saw "Beowulf" and it was bombastic to say the least. Very appealing, visually, and as I was high as a kite, terrifying at moments. But you've gotta see it BIG. BIG screen TV, or in the theatre. Angelina represented the ultimate MILF (the M standing for Monster...). In related news, I heard Michael Bay is currently filming "Canterbury Tales" with Nicholas Cage & Jon Voight.

Anonymous said...

So, you could make the argument that Beowulf was the first Saturday-matinee serial. Each time Beowulf got into a scrap they would end the story and tell all those mead drinking drunks to tune in next week!

Mike DeRosa said...

NEEEEEERD!!!

Anonymous said...

I too loved Seamus Haney's interpretation of the poem -- probably the first time "poetic license" contributed anything of real value.

As for film adaptations, one that was released the year before ("Beowulf and Grendel") tried to capture the look and feel but apparently it was dreadful.

So Hollywood decided to go video game with it, hiring fantasy faves Gaiman and Zemeckis and voila: it made some money. No surprise it little to do with the source material.

Maybe "Beowulf" needs to be told in episodic form, as in a miniseries.